By both popular and regal demand, I have returned this picture to its proper station and title, using the term “fancypants” rather than the vilely vernacular “Bossin’.” I have also exalted this posting with a more auspicious date, it now being placed on the day on which is memorialized the insurrection of the American colonies, whose patriotic colors the plaid of the lordly pantaloons so represent.
P.S. I really wanted to spell “Fancypantz” with a “Z.” There, I did it. Fancypantz Fitz.
We ate that.
We ate that.
I no longer house these lists on this site. Here are links to some of the recent Beehive nominee lists:
For more information about the Beehive Book Awards, please visit the Children’s Literature Association of Utah.
I no longer house these lists on this site. Here are links to some of the recent Beehive nominee lists:
For more information about the Beehive Book Awards, please visit the Children’s Literature Association of Utah.
Henri Rousseau (French, 1844-1910). War: The Ride of Discord (La Guerre: La chevauchée de la Discorde), 1894. Oil on Canvas. 1.14 x 1.95 m. Musée d’Orsay, Paris, France.
Some day I am going to write a novel based on this painting.
(This is another one that I saw at the Musée d’Orsay’s travelling post-impressionism exhibition at the De Young Museum in San Francisco, California.)
“La guerre ; elle passe effrayante laissant partout le désespoir, les pleurs, la ruine.”
James Tissot (French, 1836-1902). A Little Nimrod, 1882. Oil on canvas.
This is just a little counterpoint/comparison to La Guerre.
Henri Rousseau (French, 1844-1910). War: The Ride of Discord (La Guerre: La chevauchée de la Discorde), 1894. Oil on Canvas. 1.14 x 1.95 m. Musée d’Orsay, Paris, France.
Some day I am going to write a novel based on this painting.
(This is another one that I saw at the Musée d’Orsay’s travelling post-impressionism exhibition at the De Young Museum in San Francisco, California.)
“La guerre ; elle passe effrayante laissant partout le désespoir, les pleurs, la ruine.”