By both popular and regal demand, I have returned this picture to its proper station and title, using the term “fancypants” rather than the vilely vernacular “Bossin’.” I have also exalted this posting with a more auspicious date, it now being placed on the day on which is memorialized the insurrection of the American colonies, whose patriotic colors the plaid of the lordly pantaloons so represent.
P.S. I really wanted to spell “Fancypantz” with a “Z.” There, I did it. Fancypantz Fitz.
I no longer house these lists on this site. Here are links to some of the recent Beehive nominee lists:
For more information about the Beehive Book Awards, please visit the Children’s Literature Association of Utah.
Henri Rousseau (French, 1844-1910). War: The Ride of Discord (La Guerre: La chevauchée de la Discorde), 1894. Oil on Canvas. 1.14 x 1.95 m. Musée d’Orsay, Paris, France.
Some day I am going to write a novel based on this painting.
(This is another one that I saw at the Musée d’Orsay’s travelling post-impressionism exhibition at the De Young Museum in San Francisco, California.)
“La guerre ; elle passe effrayante laissant partout le désespoir, les pleurs, la ruine.”
James Tissot (French, 1836-1902). A Little Nimrod, 1882. Oil on canvas.
This is just a little counterpoint/comparison to La Guerre.
1. Christopher Cross – Sailing
2. Radiohead – Bloom
3. Bon Iver – Lump Sum
4. James Blake – The Wilhelm Scream
5. Beach House – 10 Mile Stereo
6. America – Ventura Highway
7. Beck – New Round
8. Bjork – Sun In My Mouth
9. Deerhunter – Sailing
10. Baths – You’re My Excuse To Travel
11. Baths – Rain Smell
Vincent Van Gogh (Dutch, 1853-1890). Starry Night Over the Rhône (La nuit étoilée), 1888. Oil on canvas. 0.73 x 0.92 m. Musée d’Orsay, Paris, France.
As a teenager, Van Gogh was my gateway into the world of art, and he remains my favorite painter. This particular painting quickly became one of my favorite paintings by my favorite painter. I think my need to champion the underdog and embrace the-lesser-known made me champion this work over the other super-famous, neck-tie-and-coffee-mug-adorning, but nonetheless completely awesome Starry Night that Van Gogh painted a year later.
Last October, we visited my wife’s awesome aunt who lives in the Oakland Bay area, and she took us to the De Young Museum in San Francisco to see the exhibition Van Gogh, Gauguin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d’Orsay. As we entered the gallery where the Van Goghs were displayed, lo, here was one of my most longtime favorite paintings, something I thought I would have travel to Europe someday to see. I didn’t even know I was going to get to see it on my little California trip, so that made the experience even better. In my opinion, seeing a Van Gogh in person totally lives up to the hype, and is unlike anything else, even the paintings of other great artists. Still, I couldn’t resist trying in vain to capture and commoditize the magic, so I bought a small print of the painting and it is propped up on a bookshelf in our living room right now, where I look at it all the time.
Vincent Van Gogh (Dutch, 1853-1890). The Café Terrace on the Place du Forum, 1888. Oil on canvas. 80.7 × 65.3 cm. Kröller-Müller Museum, Otterlo, Netherlands.
I SO WANT TO EAT AT THIS PLACE SOMEDAY.
Vincent Van Gogh (Dutch, 1853-1890). The Starry Night, 1889. Oil on canvas. 73.7 x 92.1 cm. Museum of Modern Art, New York, USA.
It’s becoming clear to me that I take a great liking to paintings with stars, and it all probably comes from Van Gogh, so I might as well get his three great star-infused paintings out of the way right now.